The best commercials of the Super Bowl, according to respondents using USA Today's Ad Meter, were as follows:
1. Mars’ Snickers — Guy plays football like Betty White
2. Doritos — Dog puts shock collar on owner
3. Bud Light — Man builds house out of beer cans
4. Budweiser — Fences don’t come in between friends
5. Coca-Cola — African sleepwalker finally gets Coke
The problems with the system are several:
A) The winning commercials all ran during the first quarter, if not the first commercial break. People are expecting funny and will choke on their Doritos laughing at the first amusing thing that happens in a commercial because they are waiting with baited breath for Betty White to get trucked. By the time a lot of the best (in my opinion) commercials ran (like Google's, which many many people thought was the best), people were already bored and were just comparing every spot to the last silly Bud Light ad they saw.
B) The "best" ads reward humor in the opening of the spots, because they'll score highly at the beginning, whereas a good ad does not necessarily need to be funny in the first 5 seconds to be successful. Betty White getting tackled probably got the Snickers spot scoring 10s on the Ad Meter right away, whereas ads like Google's took some time to develop and only would have scored highly at the end (and by people who paid attention).
C) The ads deemed the "best" just means that a room of 250 people thought they were the most entertaining. Good ads aren't always the most entertaining - David Ogilvy started his agency around the idea that the primary purpose of ads was to sell products (or ideas). While branding and entertainment is great, it needs to work toward the purpose of generating sales, which is how the success of advertising is actually measured, whether USA Today likes it or not.
Quite frankly, while I did chuckle at the Bud Light house and I thought it was a decent piece of advertising, it doesn't compel me to buy Bud Light, and therefore I don't think it's among the best ads on the industry's biggest stage.
Wednesday, February 10, 2010
Monday, February 8, 2010
The Ten Commandments of Super Bowl Advertising (and 2010 violations)
So, here we lay in the wake of Super Bowl XLIV; New Orleans Saints fans are inevitably just waking up (around 6pm on the East Coast) in the gutters of Bourbon Street and my apartment now reeks of wounded chicken wings and skunked light beer:
I have to apologize for not previewing the Super Bowl ads this year, I haven’t been able to get around to writing anything worthwhile since going back to school, and maybe some of that has to do with having learned nothing about advertising this semester. It has more to do with the fact that I’m probably lazy (ergo the filthy apartment).
This entry will act as a guideline for judging this year’s ads, which on the whole I felt were very sub-par. Even as a lowly undergraduate studying advertising, I know there are several cardinal rules one shouldn’t violate when producing a TV spot, rules that should be held in especially high regard when the spots cost almost $100,000 per second.
I have taken this opportunity to put together what I believe should, from here on out, be the Ten Commandments of Super Bowl Advertising. I will list each of my Commandments, followed by the spot and advertiser that either heeded or violated it in 2010.
I. Thou shalt not save the big reveal for the end
Aside from reaching the “aw, that’s cute” segment of the population (which may be a lot, estimates say up to 60 million people who watch the Super Bowl don’t care about the football part), this spot was rather baffling. Almost 45 seconds of random toys prancing around, and the Kia Sorrento name is not used until the 54 second mark of the ad. By this time, Kia has wasted more than $5,000,000 with nonsense, only to have probably lost you by now. The “big reveal,” as a professor of mine calls it, needs to come early and often so that people know what they’re watching and why it’s important in context, otherwise you might show them an unrelated sponsored short film for a minute.
II. Thou shalt not pursue comedy at the expense of your commercial message
Brett Favre humor is great with NFL fans, you know, the other portion of people that watch the NFL’s championship game. Anyone that has watched SportsCenter (or FavreWatch, as I called it) each of the last two summers probably found this spot charming. The problem is that it probably created so much laughter and/or discussion after the first twenty seconds, that everyone missed the correlation with the 10-year warranty and the soothing Hyundai narrator voice. This also violates the 1st Commandment, albeit less severely because it may have actually amused people enough to have them watch it again later.
III. Thou shalt not rehash the same idea from Super Bowl ads of the past
Budweiser Clydesdales get a pass here because they have become a fixture of the Super Bowl, and without simple branding advertising this industry would suck. Teleflora used the exact same concept last year, but the flowers were noticeably less sassy this time around, so not only was the idea recycled, it was actually less funny:
Cars.com also used the same punchline, different story formula: boy-genius knows all and fears nothing, except buying cars. It was cute last year, it smelled stale this year (much like my kitchen, hardy har!).
Godaddy’s sleaze is getting really old, and it’s a shame that Danica Patrick still sinks to this level to endorse the web hosting/domain name giant year after year. They used to create buzz with their “banned” ads before the big game, but now everyone knows that it isn’t even worth it to log onto the site to see the “unrated” web content. Did you really think you’d see NASCAR’s next big thing nude? You have a better chance of seeing Dale Earnhardt pose for a centerfold…Too soon?
IV. Thou shalt not use a divisive figure for a divisive message
I’m going to set aside all of my disdain for Tim Tebow as an athlete and my distaste for pro-life messages when I say this: this ad was done as well and tastefully as possible. Yes, it did get booed at my Super Bowl party. But upon further review, this could have been way worse with all the hype it was getting as some extreme anti-abortion spot that would make liberals shut off their televisions in anger.
That all being said, it still was not a good idea for the NGO to run this during the Super Bowl, because you have the most general pool of an audience included in your 106 million impressions, and many of them will react as my friends did and end up missing your call to action, no matter how gently you put your message. This spot could open the floodgates for political or other particularly divisive advertising, which is typically much, much worse to look at.
V. Thou shalt not waste a celebrity endorsement/appearance
Production costs for Super Bowl ads are often overlooked when people talk about the price tag. It costs a lot of money to produce special effects and CGI and to pay celebrity endorsers to spread your message. I hope this spot is part of a larger campaign for Flo TV where they will feature will.i.am for more than 1 second, and also where they will use less of the Who. I’ve had my fill of My Generation and of Pete Townshend windmills for years to come.
VI. Thou shall use cute children with adult personalities
eTrade does not get in trouble for reusing the same idea because generally they are all still funny. They made the mistake, I thought, of saving the funniest for the post game show, but I assume most gluttonous Americans weren’t willing to rouse themselves and change the channel when the clock hit 0:00, so they probably got a good chunk of the full ratings points anyway. The kid in the Doritos spot was excellent, and this ad to me stood out amidst a sea of Doritos endorsement.
VII. Thou shalt not remind people how much money you spent on the Super Bowl
Stoners everywhere rejoiced at the success of their stereotypical favorite brand, or at least one must assume the Frito-Lay brand is doing well, given the fact that they probably spent close to $10,000,000 (yes, ten million dollars) on Super Bowl ads and sponsorship combined. They ran four 30-second spots and had their name elsewhere during the game. The casual buzz stopped being about how funny the ads were (mildly funny, in my opinion) to how much freakin’ money they spent on all the spots. Recession be damned!
VIII. Thou shalt not depict unattractive people in their underpants
This would not have made the list if not for multiple infractions this particular year. Since when did showing Joey and Janie Baggadonuts in their respective underpants become funny? Also, who still wears tighty-whiteys? The sumo diapers are not much better. At least the Dockers ad had a good jingle…
IX. Thou shalt not use a catchy jingle that doesn’t rhyme
There was a lot of buildup for this spot, in which Sir Charles Barkley channels his inner Shakespeare to explain the NBA $5 Box from Taco Bell in verse. The humorous value of the commercial lies in the awful poem, but it is clear that Chuck has fought to maintain his alias as “The Round Mound of Rebound,” and it hasn’t been by eating off the Fresco Menu.
X. By all means, thou shalt do something completely ridiculous
No comment.
Labels:
Sponsorship,
Sports,
Super Bowl
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